palace from 1796 onwards, made it available Violin and Cello Sonatas display similar restraint The first thing we should do in approaching this musically remarkable and, in terms of its exploration of the composers tempest-tossed inner life, extraordinarily fascinating addition to the Beethoven discography is banish all thoughts of moonlight. (That theory doesnt quite compute, for even though there are three players to share the soloistic responsibilities, each must not only be concerned with being in sync with the orchestra, but also with each other.) His combination of solo instruments, a piano trio, was often used also in later works. Three classical music giants, Anne-Sophie Mutter, Yo-Yo Ma and Daniel Barenboim celebrate the 250th anniversary of Beethovens birth by recording the Triple Concerto. The triple concerto would seem to have been Ludwig van Beethoven's Concerto for Violin, Cello, and Piano in C major, Op. . None the less, this is the most interesting and enjoyable new record of a Beethoven symphony I have heard for some considerable time. The recording is splendid. They all date from the period It's all here. Triple Concerto. David Oistrakh . The orchestra will also perform William Dawson's Negro Folk Symphony, which debuted to much acclaim at Carnegie Hall in 1934. Required fields are marked *, I love waking up on Saturday mornings and immersing myself in an endless YouTube journey into classical music. And yet thoughtfulness never spells caution (all three works were recorded at concerts in Graz over the last 18 months); Hagen and Thomas Zehetmair throw caution to the winds near the end of the first movement Laura Aikin sop Elisabeth Kulman mez Johannes Chum ten Ruben Drole bass-bar Arnold Schoenberg Choir; Concentus Musicus Wien / Nikolaus Harnoncourt. Karl Bhms Beethoven is a compound of earth and fire. AU $72.42. These are finely proportioned readings, poised and articulate. The recordings are warm and vivid and generally well balanced. Listen Beethoven: Triple Concerto in C Major, Op. At any rate, the first and apparently only performance of the Triple Concerto during Beethovens lifetime occurred in May 1807, and it is not certain whether royal or a commoners hands were at the piano. Download 'Clarinet Concerto in A major K.622' on iTunes. Thanks to Mariss Jansonss expert schooling of his superb Bavarian musicians in works which continue to enthral, move and entertain him, the dramatic and expressive elements are derived from within rather than as is often the case with lesser conductors imposed from without Berlin Philharmonic Orchestra / Herbert von Karajan. The first performance took place on 5 April 1803, at the Palace of Prince Joseph Lobkowitz in Vienna, with Beethoven himself performing the piano part. similar formula is proposed in the third movement. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. in their allegro movements, the texture being The specifically east of Vienna dimension is not merely felt in the fierier thrust of the 2/4 section of the Peasants Merrymaking. The fact that the classic impulse vies with the Romantic throughout Beethovens nine symphonies presents a perennial problem to would-be interpreters. In the ensuing years, Beethoven and the piano were inseparable; the composer, a virtuoso pianist, was virtually always writing for his favored instrument, whether in a solo, chamber, or concerto context. which is how this curious form got to . The work has chamber-like qualities; indeed, its easy to wonder whether an entire orchestral accompaniment was really necessary but that was Beethovens call to make, not ours. The most famous example is Beethoven's Triple Concerto for violin, cello and piano. DIED . Its a rare treat to have the Choral Fantasy as a juicy extra to the concertos. Largo -" and more. 2Listen to the Triple Concerto: https://DG.lnk.to/TripleConcertoSubscribe here The Best Of Classical Music: http://bit.ly/Subscribe_DG _______________Find Deutsche Grammophon OnlineHomepage: http://deutschegrammophon.comFacebook: http://fb.com/deutschegrammophonTwitter: http://twitter.com/dgclassicsInstagram: http://instagram.com/dgclassicsNewsletter: http://deutschegrammophon.com/gpp/index/newsletter_______________: http://bit.ly/Subscribe_DG : http://bit.ly/Subscribe_DG - : http://bit.ly/Subscribe_DGLa mejor msica clsica - Suscrbase aqu: http://bit.ly/Subscribe_DGLe meilleur de la musique classique. grand. The first movements serene central section (played in tempo) allows for a welcome spot of repose and elsewhere Tetzlaffs sweet, delicately spun tone contrasts with, or should I say complements, Ticciatis assertive, occasionally bullish accompaniment. From 6.87 / month. With them poetry is perhaps more important than drama, but Perlman - certainly poetic in his way, always noting the many key passages marked dolce - confirms the strength of his reading in his superbly sprung account of the finale, the tempo marginally faster than that of any of the others (markedly faster than Chung) but masterfully confident. 7 was recorded at concerts held in Buenos Aires and Berlin - in July and October 2019 respectively - to mark the West-Eastern Divan's 20th birthday. Watch them perform Beethoven's Triple Concerto in C Major, Op. In place of the usual Various - Beethoven / Symphony 1-9 [CD] The rest is a model of clarity, with The main theme is a precursor for the theme of the final movement of the 'Choral' Symphony, and has suffered by comparison. The themes do tend to wander, their development is rather haphazard, and there are no showy cadenzas; in the work's favor, the subtle effects for the soloists and their imaginative interplay with the orchestra must be noted. in broken octaves when the piano is flexing Superb rhythmic grip, sensitivity to line and gradation of tone, a masterly control of the long paragraph; all these are features of this remarkable reading. Here is the latest instalment of Supraphons issue of classic concerts given in Prague in the 1950s and 60s. The Champlain Trio violinist Letitia Quante, cellist Emily Traubl and pianist Hiromi Fukuda will be the featured soloists with the Vermont Philharmonic in Beethoven's "Triple Concerto" Feb. 11 at the Elley-Long Music Center in Colchester and Feb. 12 at the Barre Opera House. Therefore, thank you, thank you, thank you. BEETHOVEN:TRIPLE CONCERTO. What follows is an untrammelled Allegro vivace, two-in-a-bar as marked, tempo changes graphic, every sforzando or accent stabbing the texture, Isserlis unfurling the vehemence also implicit in his lines Review of Vol 3: This third disc concludes Ibragimova and Tiberghiens live set of the Beethoven sonatas. TheAdagio moltois remarkable in the way he stills the mood, conjuring an atmosphere that sounds almost like a postscript to SchubertsWinterreise. 56 - 2. Though it received only one performance during Beethoven's lifean apparently lackluster premierethe merits of this unusual piece are now well recognized. by the cello (playing in such a high register With the exception of the trumpets, the instruments are all modern, and while phrasing, rhythmic articulation, expression and balance reveal Harnoncourt's rigorous and passionate pursuit of historical truth, the results neither sound nor feel like anything offered under that banner before. with only a little arpeggio work, and some thirds Find album reviews, track lists, credits, awards and more at AllMusic. It was during Osmo Vnsks time with the BBC Scottish SO that his Beethoven began winning golden opinions. Those old guys playing this one looks to be close to dying. In the middle section of Sonata No 3s Adagio, each of their perdendoso phrases ends in a ghostly whisper a wonderful effect. The Avisons playing was far from perfect in its balance and technique, but it was exciting, physical, and improvisational. a finely crafted texture. Robert Layton(November 1985), Leonid Kogan vn Rudolf Barshai va Mstislav Rostropovich vc. Of the LP reissue he wrote: On the whole, the recording is so dead and artificial that at times the thin line of violin sound reminds one of something from the golden age of Thomas Edisons tinfoil cylinder rather than 1940. Early CD transfers suggested that all was not lost but even they barely anticipated the extraordinary fineness of the sound we now have on this transfer by archivist and restorer Mark Obert-Thorn David OistrakhvnMstislav RostropovichvcSviatoslav RichterpfBerlin Philharmonic Orchestra / Herbert von Karajan, These are illustrious performances and make a splendid coupling at mid-price. This time, however, the trio was to be, collectively, the soloist in a concerto, a role in which it had not been cast by any other great composer before nor has it been since. This movement takes about thirteen to fourteen minutes. The LUDWIG VAN BEETHOVEN. The hushed third theme of the slow movement has an easeful serenity to set against the more tender, vulnerable emotions conveyed by Chung and Mutter. Duncan Druce (July 2011). In the matter of equality among the soloists, Beethoven, accurately perceiving that the cello could get lost in the sonic shuffle, overcompensated by giving the low string instrument inordinate prominence by writing in its top register and by having it introduce most of the thematic material. Composed in 1803, Beethoven's Triple Concerto remained unperformed for five years, until its outing at a summer music festival in Vienna in 1808. For details on how we use cookies, see our. 56 - 2. FOR SALE! Beethoven:triple Concerto [DVD] AU $46.70. So palpable is the excitement of these live performances that it almost comes as a shock that the applause has been excised. And here you sense that she is among those truly great artists who, in Charles Rosens words, appear to do so little and end by doing everything (his focus on Lipatti, Clara Haskil and Solomon) Murray PerahiapfConcertgebouw Orchestra / Bernard Haitink. If the volume is set too high at the start, you will miss the stealing magic of Gilelss and the orchestras initial entries and you will be further discomfited by tape hiss that, with the disc played at a properly judged level, is more or less inaudible Itzhak PerlmanvnPhilharmonia Orchestra / Carlo Maria Giulini. I am less impressesd with Alexander Schneider here,especially c.f. In the Second Symphony Norrington does make the music smile and dance without any significant loss of forward momentum, and he treats the metronome marks more consistently than Toscanini (who rushed the Scherzo) or Karajan (who spins out the symphony's introduction), whilst sharing with them a belief in a really forward-moving pulse in the Larghetto (again an approach to the printed metronome if not the thing itself). The triple concerto is dedicated to Prince Equally he can be devilish or coarse. Rondo alla polacca, Mark Zeltser, Anne-Sophie Mutter, Yo-Yo Ma, Berliner Philharmoniker, Herbert von Karajan. Few ensembles have characterised the Amajors cantering first idea as happily as the Tokyos do here, while the ethereal and texturally variegated middle movements anticipate the very different world of Beethovens late quartets. Formidably in command of the music, he neither subjects the notes to his virtuosic will, nor demeans his own technique by mimetic attempts at audible disorder. Riproduci in streaming brani tra cui Triple Concerto for Violin, Cello and Piano in C Major, Op. Beethoven's early biographer Anton Schindler claimed that the Triple Concerto was written for Beethoven's royal pupil, the Archduke Rudolf (Rudolf von Habsburg-Lothringen). and double broken octaves, elegantly varied a team with Prince Kinsky and the Archduke Rudolph It takes a major pianist standing outside the Viennese tradition to see the volatile and ageing Beethoven subsuming gamesome Classical ironies in Romantic pathos and a feeling of personal travail. Free shipping for many products! Many thanks to the Orchestre National de Lorraine Jochum Arrau's pc #1 contains the same assets and liabilities. The Triple Concerto was first performed in Vienna in 1804, and apparently never again in Beethoven s lifetime! The qualities of the earlier instalments (8/10, 12/10) polished technique, spontaneity and deep engagement with the music are as strongly apparent here. With this three-disc album of Beethovens piano concertos Paul Lewis complements his earlier set of the 32 sonatas and also his appearances at the Proms this summer where for the first time all five concertos will be played by a single artist. 7 - Triple Concerto - Used CD - E7814A at the best online prices at eBay! Then again the modulating sequences from 936, so often crudely hammered home in rival versions, are stylishly shaped, the emphases properly focused, with Aimard clearly centre-stage. pretty close relatives, albeit on a smaller The lonely piano recitative of the slow movement is a heart-melting moment. There was the thrill of seeing a period instrument band take up every inch of the stage in Kings Place's Hall 1 (even if the string section was reduced to a handful of violins and violas, just 3 cellos and a couple of double of basses), and hearing them fill the hall's fantastic acoustic. Beethovens directions for the introduction to Op 102 No 1 are explicit Andante, softly singing, sweetly, tenderly and Steven Isserlis, playing a gut-strung 1726 Stradivarius, invokes its beauty in hushed, withdrawn tones. The Choral Fantasy features a long piano solo that Beethoven wrote for himself, plus a choral melody that sounds like a preliminary sketch for the last movement of his Ninth Symphony. BEETHOVEN - SYMPHONY No 7; Triple Concerto (LSO, Haitink), London Symphony Orche - $9.28. It was Mendelssohn who set the Gewandhaus Beethoven agenda in the 1840s, aspects of which have never entirely disappeared. Indeed, I am not sure that Pollinis account of the Hammerklavier is not the most impressive currently before the public, though the instant such thoughts are penned, the noble performances of Eschenbach, Arrau, Brendel and Ashkenazy spring to mind. In the Triple Concerto, I'd take them over Karajan and the Russians any day. The following minor-key variation shows how both players can bring flexibility and fluidity to their performance, with the confidence that they will be sympathetically accompanied. The second movement, Largo, is far more compact. Vnks new recording of the Fourth Symphony is that, and more. Like his revered seniors, Norrington has learnt conducting in the opera house. thirds, sixths and tenths, sometimes at the The Beethoven Triple Concerto demands utmost virtuosity, as well as intimate teamwork among the soloists, and that is exactly what these three supreme masters of their instruments bring to it. Although thats to be expected to some degree, all of Beethovens other concertos still appear to have orchestral material that, when heard alone, remains pretty compelling. Beethoven Concertos; Piano Concerto No.1 in C major, Op.15; Piano Concerto No.2 in B major, Op.19; Piano Concerto No.3 in C minor, Op.37; Piano Concerto No.4 in G major, Op.58; Piano Concerto No.5 in E major, Op.73 (Emperor) Rondo in B-flat major, WoO 6; Fantasia in C minor, Op.80 (Choral Fantasia) Triple Concerto in C major, Op.56 The list is organised by genre, beginning with orchestral works, then moving though chamber, instrumental and vocal. I dont know who to pity more: the budding maestro who hears this Beethoven Fifth before attempting to conduct the work himself or the one who doesnt. John Ogdons account has a splendidly withdrawn feeling at this point and a raptness and tranquillity that I greatly admire. Like Solomon, Gilels gives us an outstanding reading of the vast slow movement. BOOKS MUSIC DVD'S & FILMS GAMES TOYS & LEGO Title: Beethoven 155431349977 Pretty ancient stuff but still cool in some strange way. 56, commonly known as the Triple Concerto, was composed in 1803 and published in 1804 by Breitkopf & Hrtel. For its 20th birthday last October, the West-Eastern Divan Orchestra invited Anne-Sophie Mutter and Yo-Yo Ma to the Berlin Philharmonie for a performance of the Cinderella among Beethoven's concertos, the 'Triple . In the piano concertos, Beethoven used the second movements to great affect. It is important to note that this work was written with an amateur pianist in mind: the relatively simple piano part was designed for Beethoven's patron, the Archduke Rudolf; nevertheless, professional musicians are required for the brutal cello part and the less difficultbut still quite challengingviolin part. The concerto is divided into three movements: The first movement is broadly scaled and cast in a moderate march tempo, and includes decorative solo passage-work and leisurely repetitions, variations, and extensions of assorted themes. The very name Triple Concerto is slightly misleading here. Visita nuestra pgina web en espaol. Beethoven did not set himself an easy task. The fourth of the final variations of Sonata No 6 begins with three unaccompanied violin chords played piano. Based on Italian models, Johann Sebastian Bach composed concertos for multiple instruments, including his Fourth Brandenburg Concerto, BWV 1049, with solo parts for violin and two recorders,[1] his Fifth Brandenburg Concerto, BWV 1050, featuring violin, flute and harpsichord,[1] the Concerto, BWV 1044, for the same soloists,[1] and two concertos for three harpsichords and string orchestra.[2]. 1 in C Major, Op. It's one of those pieces that never seems to get a performance that does it justice. DeccaBeethovens late quartets are the ultimate examples of music that is so great that, as Artur Schnabel famously suggested, no single sequence of performances could ever do them full justice. () 5,000 ()!. So may I say at once that Harmonia Mundis eagerly awaited set is a superlative achievement and that Lewiss partnership with Jir Belohlvek is an ideal match of musical feeling, vigour and refinement Mahler Chamber Orchestra / Leif Ove Andsnespf. I also enjoyed the last three minutes of the third movement, where each of soloists would play, answered each time by the entire orchestra. of other instruments could have produced such Harmonia Mundi HMM902419 64:52 mins. had chosen to settle in his adoptive Vienna, the piano joins in much later and provides extremely Stream songs including "Concerto for Piano, Violin, and Cello in C, Op. This is a remarkable account of Beethovens Missa solemnis and, in one important respect, an unusual one. These performances are so superb that despite their sonic limitations I still think it possible to recommend them to younger non-specialist collectors, even in these days of the Compact Disc. The recording is also very fine, though be sure to gauge the levels correctly by first sampling one of the tuttis. 56 (1804) [33:49] . Where else can you hear Op 10 No 2s madcap finale given with such unfaltering lucidity and precision? Telemann also wrote triple concertos for three identical instruments and for three different instruments: for instance, his Tafelmusik collections contain a concerto for three violins (TWV53:F1), and one for flute, violin and cello (TWV53:A2).[4]. Painting by Alex Katsenelson. At this time he was coming to terms with increasingly If you are a library, university or other organisation that would be interested in an institutional subscription toGramophoneplease click herefor further information. sketches for a work in D, calling for the same The sound he draws from his players is turgid and unwieldy and his readings seem random and cavalier alongside Norrington's astutely judged readings. "Where words leave off, music begins!" Wynk Music brings to you Piano Concerto No. You do not have to listen far to be swept up by its spirit of renewal and discovery, and in Pierre-Laurent Aimard as soloist Nikolaus Harnoncourt has made an inspired choice. Largo - Song by Claudio Arrau from the English album Beethoven: Complete Concertos, Vol.2. Free postage. The bolero-like rhythm also characteristic of the polonaise, can be heard in the central minor theme of the final movement. 56: I. Allegro, Triple Concerto for Violin, Cello and Piano in C Major, Op. The American completes his nine-year project to record all 32 sonatas. I was made more than usually aware of its original context as the finale of the famously epic concert that also saw the premieres of, among others, the Fifth and Sixth Symphonies and the Fourth Concerto; suddenly I noticed connections between the Fantasy and the Fourth that previously passed me by. Schnabel was almost ideologically committed to extreme tempos; something you might say Beethovens music thrives on, always provided the interpreter can bring it off. (nearly half of them in C major), and the third 7 (Live) by Anne-Sophie Mutter & Yo-Yo Ma & Daniel Barenboim & West-Eastern Divan Orchestra on Amazon Music. Like me, you may well cherish your beloved sets by Schnabel, Kempff and Brendel (to name but three), but Lewis surely gives you the best of all possible worlds; one devoid of idiosyncrasy yet of a deeply personal musicianship. A triple concerto (Italian: Concerto triplo, German: Tripelkonzert) is a concerto with three soloists. 56 'Triple Concerto' . members with unobtrusive support from the orchestra, The 50 best Johann Sebastian Bach recordings, The 50 best Wolfgang Amadeus Mozart recordings, Pierre-Laurent Aimard pf Chamber Orchestra of Europe / Nikolaus Harnoncourt. Our Music and Artistic Director shares some of the historic Beethoven recordings he most admires, as well as a special one all his own. reworking of his ideas) produced a quantity Harnoncourt doesn't pretend that what he offers is Beethoven as the composer imagined it. The success of Beethovens balancing act is in direct proportion to the virtuosity of the soloists and the discretion of the conductor. Edward Greenfield (September 1981), Isabelle FaustvnOrchestra Mozart / Claudio Abbado. With this exceptionally exciting new record, Roger Norrington joins Frans Bruggen and John Eliot Gardiner among a small elite of musicians working with period instruments whose interpretations of Haydn, Mozart and Beethoven can stand comparison with the best we have had on record on modern instruments during the past 20 or 30 years. This presentation has been published in the booklet of the cd: "Triple Free shipping for many products! The gestation of this concerto continued, and composition was strung out over three and a half yearsplus a further year if you count the time it took him actually to write out the . BEETHOVEN: COMPLETE PIANO TRIOS & TRIPLE CONCERTO. Find many great new & used options and get the best deals for Melodiya *BEETHOVEN* Triple Concerto *RICHTER* *OISTRAKH* *ROSTROPOVICH* at the best online prices at eBay! Find many great new & used options and get the best deals for Ludwig Van Beethoven Concerto No.. UK vinyl LP record at the best online prices at eBay! a keen music lover and violinist who, having But it is the five piano concertos he wrote between 1795 and 1809 that have been beloved by pianists and audiences alike for over 200 years. Where both Chung (Decca) and Mutter are above all lyrical and meditative, illuminatingly so, Perlman's is a more obviously virile purposeful reading with the orchestral tuttis closely co-ordinated - just as they are in the Krebbers version (Philips) with a soloist who at the time was also concertmaster of the orchestra. the corresponding movements of the Fourth Beethoven may not give as many directions as Berg, but from the very first bars the Orchestra Mozarts woodwind choir show the same care over detail, the instruments perfectly balanced and with a commitment to bringing out the musics soulful, expressive character. And their account of the Kreutzers first movement, with its Furtwngler-like broadening at the climax of the coda, unmistakably exposes the musics portrayal of emotional turmoil. The Triple Concerto is a concerto for piano, violin, and cello by Ludwig van Beethoven. Yet there are scrambles and mistakes in his performance which were avoided, with minimal loss to the music's headlong impetus, in the famous 1956 Solomon recording, whose absence from the catalogue is much to be regretted. to play in octaves, just as in the two previous About Mark Allen Group Litton, Lamprea, and Bekker will shine in one of Beethoven's most soulful, challenging, and charming concertos. Concerto in C major, op. Unusual for a concerto of this scale, the first movement begins quietly, with a gradual crescendo into the exposition, with the main theme later introduced by the soloists. In fact, the metronomes are good in the Second Symphony, the Larghetto apart, and in the middle movements of the Eighth, but not in the Eighth's quick outer movements. All Rights Reserved. Up to a point the length of a review should denote importance and were this the case, this notice ought to occupy many pages! Try Op 28s finale for an ultimate pianistic and musical finesse or the opening Allegro where Lewis makes you conscious of how the musics gracious and mellifluous unfolding is momentarily clouded by mystery and energised by drama. When Kurt Masur recorded the symphonies in the 1970s, Robert Layton wrote in these columns of an orchestra that was consistently sensitive in its responses, its expression unforced, the overall sonority beautifully weighted and eminently cultured Bavarian Radio Symphony Orchestra / Mariss Jansons. Robert Layton (1985). That said, a wealth of often obscured orchestral detail emerges without any feeling of being artificially lit (the woodwind exchanges in the opening movements of the First and Second concertos, for example). Clouds pass over during a minor mode episode imposed by the orchestra near the end, but the soloists modulate back to the major for a seamless transition into the finale, a Rondo alla Polacca. And if this suggests recklessness, well, in many other instances the facts are quite other, for Schnabel has a great sense of decorum. which allowed this text to be part of this website. Composed in 1803, Beethoven's Triple Concerto remained unperformed for five years, until its outing at a summer music festival in Vienna in 1808. The Quartetto Italianos claims are strongest in the Op 18 Quartets. glance at the Waldstein?) There are classicising tendencies in Leipzig too. Like Karl Bhms celebrated VPO Pastoral, this is also a closely observed reading, richly characteristic. 56 di Robert Cohen, Toronto Symphony Orchestra, Claudio Scimone, Wolfgang Manz & Frank Peter Zimmermann su Apple Music. This is the third instalment in Franois-Frdric Guys traversal of Beethoven and the first to delve into the chamber music. paucity of chordal writing for the piano. In addition to the violin, cello, and piano soloists, the concerto is scored for one flute, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani, and strings. is also the case in the two following movements) Bonn, then an independent electorate. There, we have a sense of impetus and attack (Gilels's sheer pianistic command compensating for a tempo 42 minims a minute below Beethoven's startling and plausible minim = 138) though when we reach the gracious second subject in G, rhythmic motion is not so much suspended as upstaged by the first intimations of the music's surprising capacity for feminine songfulness. This is one of the perhaps the most perfect accounts of the Fourth Concerto ever recorded. Throughout these two performances the contributions of horns, trumpets and drums most rivet the attention (the introduction to the Second Symphony's first movement is glorious); by contrast, the woodwinds have, to modern ears, an almost rustic charm, a naif quality which technology and sophisticated playing techniques have to some extent obliterated. But it was a performance that was made by the intimate relationships created among the soloists - violinist and director Pavlo Beznosiuk, pianist Alexei Lubimov and cellist Richard Tunnicliffe - and with the ensemble. There was an admired recording of the Pastoral Symphony, given away with a magazine, and a Proms performance of the Seventh Symphony which David Gutman described as terrifically fresh and alert (BBC Proms, 11/99). We have also included, where possible, the complete originalGramophonereviews, which are drawn fromGramophone'sReviews Databaseof more than 40,000 reviews. already been anticipated in 1802 by fairly substantial Free--indeed unaware--of technical problems, they give it a joyful, sparkling lightness. In December we had Maria Callass 1952 Covent Garden Norma superseding her studio efforts; and here is the first night of Otto Klemperers legendary 1961 Fidelio, also from the Royal Opera House, to challenge his noted studio set from a year later.
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